Monday, November 24, 2014

The Production Code & Citizen Kane

Film Influence

Every now and then an actor is physically or verbally assaulted in Brazil because his/her character. The first time I saw a news related with actors being assaulted because their characters, I remember to think: "What a bunch of stupid people. How is it possible that they don't understand that TV is fiction?"

Lately, when I kept seeing this kind of news, I started to understand that, even though soup operas/movies/TV shows are fiction they generate a certain feeling in their public. Some character make you fall in love, or hate them, some are inspiring, while others are indifferent, and unfortunately, some people don't know how to control the feelings created by a character or a story.

I believe that a good example on how movies/TV shows/soup operas have a big influence on their public is the Disney Princesses. Most girls, in some point of their lives, related and wanted to be just like one of the Princesses.

Another example just happened this past week with the release of The Hunger Games: Mockingjay Part I, a group of protestors in Bangkok adopted the movie's three-fingered salute against totalitarian rule. In response to the protests the movie theater chain Apex decided to cancel all screenings of the movie.

Citizen Kane


73 years after its release Citizen Kane still being watched and analyzed by students, movie lovers, and general public. Orson Welles had worked in radio and theater before move into the cinema world. Welles' previous work experience reflect in Kane in various ways, for example in use of sound to create a reality sensation. 

"Not all sound tricks are just to add reality. Many of them also add a deeper meaning. When the reporter goes to Thatcher Library to look up information on Kane, the sound is a very distorted echo. Yes, this adds depth and reality to the scene, but it also reinforces what is already implied on the screen. The Thatcher library is not just a library, it is a tomb. A cold empty tomb to a man who was cold and empty in life as well as death. Likewise, the background yelling of young Kane in the snow adds irony to the bickering of the parents within the warm not-so-happy home. While they sign the papers to have him separated and sent away forever, he is yelling 'The Union Forever! Long Live the Union!'." Kurt Kuersteiner.

Also, the score created by Bernanr Herman was more radio style. Like Laurie Boeder  says in her article for About Entertainment "Rather than playing music under every scene, Herrman wrote “radio style,” bringing in the music when it was needed to evoke emotion or build tension." 

Citizen Kane is celebrated for its use of low-angle shots, below you can see a scene shot completely in low-angle.





Citizen Kane also makes use of innovative transitional devices in the way it links different scenes.  In the two scenes below we can see examples of dissolving transitions.

 









References:

Boeder, Laurie.  Citizen Kane - An American Masterpiece. http://classicfilm.about.com/od/dramaandbiography/fr/Citizen_Kane.htm

Kuersteiner, Kurt. Orson Welles: A Film Maker With A "Sound" Background. http://www.radiohorrorhosts.com/soundfilm.html

Welles, Orson. Citizen Kane. 1941.


http://www.cbc.ca/news/arts/hunger-games-screenings-cancelled-in-thailand-after-protesters-use-3-finger-salute-1.2840381

http://www.franchiseherald.com/articles/14817/20141121/hunger-games-mockingjay-part-showing.htm

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